{"id":566,"date":"2004-06-12T07:39:17","date_gmt":"2004-06-12T07:39:17","guid":{"rendered":"http:\/\/www.tamayacikel.com\/?p=566"},"modified":"2021-11-18T23:45:55","modified_gmt":"2021-11-18T20:45:55","slug":"kapidan-iceri-girmek-2","status":"publish","type":"post","link":"https:\/\/www.tamayacikel.com\/?p=566","title":{"rendered":"\u201cKap\u0131dan \u0130\u00e7eri Girmek\u201d"},"content":{"rendered":"

NECAT\u0130 MERT<\/strong><\/p>\n

\"mertt\"<\/a>1945, Adapazar\u0131 do\u011fumlu. \u00d6\u011frenimini A\u00dc DTCF T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc\u2019nde tamamlad\u0131 (1968). Adapazar\u0131\u2019nda iki ayr\u0131 d\u00f6nemde toplam yedi y\u0131l edebiyat \u00f6\u011fretmenli\u011fi yapt\u0131. 12 Mart d\u00f6nemine rastlayan ilk \u00f6\u011fretmenli\u011fi d\u00f6neminde TCK 142. ve 312. maddelerine ayk\u0131r\u0131 davranmak sav\u0131yla yarg\u0131land\u0131, bir s\u00fcre tutuklu kald\u0131. 1973\u2019te kitap k\u0131rtasiye ticaretine ba\u015flad\u0131, yan\u0131 s\u0131ra on y\u0131l (1993-2003) \u00f6zel dershane \u00f6\u011fretmenli\u011fi yapt\u0131, halen Adapazar\u0131\u2019nda ticaretle me\u015fgul.<\/p>\n

Yaz\u0131 d\u00fcnyas\u0131na \u201cYans\u0131ma\u201d<\/em>da yay\u0131mlanan bir \u00f6yk\u00fcs\u00fcyle girdi (Temmuz 1972). Daha sonra deneme, inceleme ve ele\u015ftirileri ve ba\u015fka \u00f6yk\u00fcleriyle \u201cSanat ve Toplum\u201d<\/em>, \u201cSosyalist K\u00fclt\u00fcr Ansiklopedisi\u201d<\/em>, \u201cYazko\/Somut\u201d<\/em>, \u201cKar\u015f\u0131\u201d<\/em>, \u201cYaba\/\u00d6yk\u00fc\u201d<\/em>, \u201cYeni Bi\u00e7em\u201d<\/em>, \u201cD\u00fc\u015flem\u201d<\/em> ve \u201cD\u00fc\u015fler\/\u00d6yk\u00fcler\u201d<\/em>de g\u00f6r\u00fcld\u00fc. Adapazar\u0131\u2019nda \u201c\u00c7arksuyu\u201d<\/em> adl\u0131 bir gazete \u00e7\u0131kard\u0131 (Ocak 1996-May\u0131s 1996). \u201cE\u201d<\/em> dergisinde \u201c\u00d6yk\u00fc Noktas\u0131\u201d<\/em>n\u0131 yazd\u0131. \u015eimdilerde \u201cHece\u201d<\/em> , \u201cK\u0131rklar\u201d<\/em> ve \u201cHece\/\u00d6yk\u00fc\u201d<\/em>de, haftada bir de yine Adapazar\u0131\u2019nda \u201cYeni Sakarya\u201d<\/em>da yaz\u0131yor.<\/p>\n

Yay\u0131mlanm\u0131\u015f kitaplar\u0131 \u015funlar: \u201cGramofonlar, Radyolar, Teypler\u201d <\/em>(\u00d6yk\u00fcler, 1979), \u201cBir Bir De\u011filken\u201d <\/em>(Masallar, 1979), \u201cHindinin Biri\u201d <\/em>(Masallar-\u00d6yk\u00fcler, 1980), \u201cMinnac\u0131k Bir U\u00e7urum\u201d <\/em>(\u00d6yk\u00fcler, 1994), \u201cPaytonun F\u2019si\u201d<\/em> (Deneme, 1995), \u201cGeceye U\u00e7urulan G\u00fcvercinler\u201d<\/em> (\u00d6yk\u00fcler, 1996), \u201cKap\u0131dan \u0130\u00e7eri Girmek\u201d<\/em> (Deneme, 1997), \u201cB\u00fcy\u00fck D\u00fc\u011f\u00fcn\u201d <\/em>(Oyun, 1998), \u201cG\u00f6n\u00fcller K\u00fc\u00e7\u00fcld\u00fc\u201d <\/em>(\u00d6yk\u00fcler, 2002), \u201c\u00d6mer Seyfettin: \u0130slamc\u0131, Milliyet\u00e7i ve Modernist Bir Yazar\u201d <\/em>(\u0130nceleme, 2004). <\/strong><\/p>\n

www.necatimert.com<\/strong><\/p>\n

S\u00f6yle\u015fi: Tamay\u00a0 A\u00e7\u0131kel<\/strong><\/p>\n

D\u00fcnyaca \u00fcnl\u00fc y\u00f6netmen Luis Bunuel,\u00a0 \u201cSon Nefesim\u201d<\/strong> adl\u0131\u00a0 ya\u015fam\u00f6yk\u00fcsel eserinin \u201cBellek\u201d<\/strong> adl\u0131 ilk b\u00f6l\u00fcm\u00fcnde \u015f\u00f6yle diyor: \u201c…son aylarda kar\u015f\u0131la\u015ft\u0131\u011f\u0131m bir ki\u015finin veya bir \u015feyin ad\u0131n\u0131, yak\u0131n zamanlarda ya\u015fad\u0131\u011f\u0131m bir olay\u0131 an\u0131msayamad\u0131\u011f\u0131m zaman, bir kayg\u0131, hatta bir korkudur al\u0131r beni… Ki\u015fili\u011fim birden parampar\u00e7a olur, da\u011f\u0131l\u0131r. Ba\u015fka hi\u00e7bir \u015fey d\u00fc\u015f\u00fcnemem. Ama gene de t\u00fcm \u00e7abalar\u0131m ve k\u0131zg\u0131nl\u0131\u011f\u0131m bo\u015fa gider. Bu,\u00a0 t\u00fcmden bir yokolu\u015f mudur?\u00a0 \u201cMasa\u201d diyebilmek i\u00e7in e\u011fretileme yapmak zorunda olmak korkun\u00e7 bir duygu. Bunun da \u00f6tesinde, s\u0131k\u0131nt\u0131lar\u0131n en k\u00f6t\u00fcs\u00fc: Ya\u015famak… Ama, art\u0131k kendini tan\u0131yamadan, kim oldu\u011funu bilemeden ya\u015famak…\u201d<\/p>\n

Aram\u0131zda ya\u015fayan, \u015fehrimizin zengin k\u00fclt\u00fcrel ge\u00e7mi\u015fi unutulmas\u0131n diye sessizce \u00e7abalayan Necati Mert\u2019<\/strong>in \u201cKap\u0131dan \u0130\u00e7eri Girmek\u201d <\/strong>adl\u0131 eserinden okuyal\u0131m \u015fu s\u00f6zleri de: \u201cAdapazar\u0131\u2019n\u0131n pek pek k\u0131rk y\u0131l \u00f6nceki d\u00fcnyas\u0131nda toprak vard\u0131r… koyun vard\u0131r… iplik vard\u0131r… g\u00fcl, g\u00fcne\u015f ve g\u00fcvercin vard\u0131r!.. Lamelif… \u00e7\u0131nar… ak\u015fam vakti… ve ad\u0131mla t\u00fcketilebilir uzakl\u0131klar vard\u0131r!.. Diyece\u011fim, bir k\u00e2inat hissi ile kolay alg\u0131lan\u0131r \u00f6l\u00e7\u00fcler i\u00e7 i\u00e7e vard\u0131r!..\u201d<\/p>\n

…<\/p>\n

Ne dersiniz art\u0131k o kap\u0131dan i\u00e7eri girelim mi, yoksa kendini tan\u0131yamadan, kim oldu\u011funu bilemeden ya\u015famaya raz\u0131 m\u0131 olal\u0131m?..<\/p>\n

Say\u0131n Necati Mert\u2019in ad\u0131 ge\u00e7en eserinden de esinlenerek, kendisiyle bir s\u00f6yle\u015fi yapt\u0131k; Adapazar\u0131… d\u00fcn\u00fcm\u00fcz… bug\u00fcn\u00fcm\u00fcz… hakk\u0131nda:<\/p>\n

\u201cEvlerin sokakla, hayatlar\u0131n tabiatla kendili\u011finden i\u00e7 i\u00e7e oldu\u011fu o tevazu y\u0131llar\u0131\u201d… Ki\u015filik \u00f6zellikleri yak\u0131\u015ft\u0131rarak anlatt\u0131\u011f\u0131n\u0131z o \u00e7e\u015fit \u00e7e\u015fit \u00e7i\u00e7ekler, a\u011fa\u00e7lar, meyveler… Hayatlar\u0131m\u0131zda bir bo\u015fluk b\u0131rakarak gitmelerine neden seyirci kald\u0131k? <\/strong><\/p>\n

Onlar\u0131n hayatlar\u0131m\u0131zdan \u00e7ekilmeleriyle bir bo\u015flu\u011fa d\u00fc\u015fece\u011fimizi bilmiyorduk \u00e7\u00fcnk\u00fc. Nitekim \u015fimdi de bilmiyoruz. Tesad\u00fcfen kalm\u0131\u015f kimi hat\u0131ralar\u0131 h\u00e2l\u00e2 yok etmemiz bundan. Buna bir de g\u00fcn\u00fcm\u00fcz\u00fcn parac\u0131l\u0131\u011f\u0131n\u0131 ekleyin. Yok etmek art\u0131k modernlik adeta.<\/p>\n

Modernle\u015firken kendimize yabanc\u0131la\u015f\u0131yor muyuz?\u00a0 \u201cMek\u00e2nla, aletle, maddeyle ve v\u00fccutla birlikte ya\u015famak\u201dtan vazge\u00e7ti\u011fimizin fark\u0131nda m\u0131y\u0131z? <\/strong><\/p>\n

De\u011filiz. Yabanc\u0131la\u015fmam\u0131z \u201cel terazi, g\u00f6z mizan\u201ddan vazge\u00e7ip \u00f6l\u00e7\u00fcleri b\u00fcy\u00fclt\u00fcrken oldu. Bu kadarla da kalmad\u0131. Yeni hastal\u0131klar var: Stres, depresyon falan. O eski evlere, bah\u00e7elere, sokaklara s\u0131\u011fmayan d\u00fcnyalar i\u00e7in ko\u015farken yorgun d\u00fc\u015ft\u00fck, bunlar\u0131 edindik. \u00c7a\u011f\u0131m\u0131z\u0131n ad\u0131n\u0131 da koyduk: \u201cProzac Toplumu\u201d.<\/p>\n

Adapazar\u0131\u2019nda \u201chem\u015fehrilik bilinci\u201d eksik gibi geliyor bana… \u201cMinyat\u00fcr bir Anadolu\u201c olarak d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fcz Adapazar\u0131\u2019n\u0131n, de\u011fi\u015fik co\u011frafyalardan gelen insanlar\u0131 kayna\u015ft\u0131r\u0131p, yine de yeterince yerle\u015fik k\u0131lamam\u0131\u015f olmas\u0131 m\u0131 acaba bunun nedeni?\u00a0 Depremler de bir gelip ge\u00e7icilik duygusu,\u00a0 bir g\u00fcvensizlik yaratm\u0131\u015f olabilir mi? <\/strong><\/p>\n

\u201cHem\u015fehrilik bilinci\u201d \u015fehirde olur. \u015eehrin bir gelene\u011fi vard\u0131r. Sosyolojisiyle bir \u015feyi temsil eder o. Adapazar\u0131 art\u0131k bu temsil g\u00fcc\u00fcn\u00fc kaybetti. Bir kere \u015fehir de\u011fil art\u0131k. Kent. Kentlerden bir kent. Herhangi bir kent. \u00c7ekin bir kav\u015fa\u011f\u0131n\u0131n, bir soka\u011f\u0131n\u0131n foto\u011fraf\u0131n\u0131, \u201cBuras\u0131 Ada\u2019dan.\u201d diyemezsiniz. O kav\u015fak, o sokak Edirne\u2019de de vard\u0131r, \u00c7orum\u2019da da, Urfa\u2019da da. \u201cHem\u015fehrilik bilinci\u201dnin kalmamas\u0131 g\u00f6\u00e7lere ba\u011fl\u0131 tabii. K\u0131smen depremlere de. Ama ben daha \u00e7ok kentle\u015fmeye ba\u011fl\u0131yorum. Eski \u015fehirler kendi temsil g\u00fc\u00e7leriyle, kendi dinamikleriyle bug\u00fcne gelemezler miydi? Gelirlerdi elbette. Ama o geli\u015f rant\u00e7\u0131lar\u0131 fazla memnun etmezdi. Kaybettiklerimizi kentle\u015fmeye de\u011fil de rant\u00e7\u0131l\u0131\u011fa m\u0131 ba\u011flasak yoksa?<\/p>\n

Hem\u015fehrilik bilincinin kalmad\u0131\u011f\u0131n\u0131 de\u011fil, eskiden beri yetersiz oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum ben. Rant\u00e7\u0131l\u0131\u011f\u0131n pusuda beklemesi normal! Ama bu s\u00fcre\u00e7 de\u011fi\u015ftirilebilirdi. Bilin\u00e7, huzurun ku\u015faklar boyu s\u00fcrmesini y\u00fcrekten istemeyi; bu y\u00fczden de, \u00f6zellikle b\u00f6yle oynak bir co\u011frafyada kom\u015fuyu \u00f6rnek al\u0131\u015f\u0131n, apartman boyutuna de\u011fil, insani boyutlara do\u011fru olmas\u0131n\u0131 ve daha ba\u015fka incelikleri gerektirirdi. <\/strong><\/p>\n

\u00d6nceki sorunuzdaki \u201ceksik\u201di bug\u00fcnle s\u0131n\u0131rlam\u0131\u015f\u0131m. Oysa siz bunun yeni bir \u015fey olmad\u0131\u011f\u0131n\u0131, \u00f6teden beri hep b\u00f6yle geldi\u011fini d\u00fc\u015f\u00fcn\u00fcyorsunuz. Hakl\u0131s\u0131n\u0131z. E\u011fer tam olsayd\u0131 rant\u00e7\u0131l\u0131k b\u00f6yle meydan al\u0131r m\u0131yd\u0131? Sapanca i\u00e7ilmez hale gelir miydi? Hem\u015fehrilik \u015fehirliler aras\u0131ndaki dayan\u0131\u015fmay\u0131 anlatmaz sadece, \u015fehre sorumlulu\u011fu da anlat\u0131r. Belki en \u00e7ok bunu anlat\u0131r. Fakat eski Adal\u0131lar\u0131n yeterince bu \u015fehrin insan\u0131 olamamalar\u0131 m\u0131 rant\u00e7\u0131l\u0131\u011f\u0131n sebebi? \u0130nsani boyuta dikkat \u00e7ekiyorsunuz; onun kayb\u0131 bence de as\u0131l sebep. Ama bu sadece bizim Adal\u0131lar\u0131n g\u00fcnah\u0131 de\u011fil ki.<\/p>\n

\u00c7ok uzun ve umut k\u0131r\u0131c\u0131 bir bekleyi\u015fin ard\u0131ndan,\u00a0 \u015fehirde \u00e7evre d\u00fczenlemelerinin ba\u015flay\u0131p zamanla yoluna girmesiyle Adapazar\u0131 halk\u0131 kendini sokaklara, parklara att\u0131. Bulvarlardaki banklarda keyifle oturanlar\u0131 g\u00f6rd\u00fck\u00e7e seviniyorum. Adapazar\u0131\u2019n\u0131n deprem \u00f6ncesinden al\u0131\u015f\u0131k oldu\u011fu g\u00f6r\u00fcnt\u00fcler de\u011fil asl\u0131nda bunlar… Kent ya\u015fam\u0131 yeni yeni mi filizleniyor dersiniz?<\/strong><\/p>\n

Size kat\u0131lamayaca\u011f\u0131m. Oturmak i\u00e7in Bulvar\u2019\u0131 se\u00e7enler beni \u00fczer ancak. Bulvarda oturulmaz \u00e7\u00fcnk\u00fc. Piknik i\u00e7in k\u0131rsala, mesireye gidilir. \u015eehir i\u00e7inde dinlenmek i\u00e7in de parka, suba\u015f\u0131na, geziye… Ada\u2019da park yok art\u0131k. \u015eehrin yeg\u00e2ne park\u0131 ticarethane oldu. Suba\u015f\u0131m\u0131z, \u00c7ark\u2019t\u0131, h\u00e2l\u00e2 \u00c7ark; ne ki dar geliyor. Sait Faik Park\u0131 korunmad\u0131. Oysa gezi i\u00e7in de m\u00fcsaitti. Diyece\u011fim, Bulvar, tercihimizle gitti\u011fimiz yer de\u011fil. \u00c7aresizli\u011fimizdir bizi oraya g\u00f6t\u00fcren. Dolay\u0131s\u0131yla bunu kent ya\u015fam\u0131yla a\u00e7\u0131klayamam. Kent her insan\u0131n her tercihine cevap veren yerdir bence. Necl\u00e2\u2019yla bir ak\u015fam yeme\u011fi yiyece\u011fim \u2013i\u00e7kisi de olan- bir yeri yok buran\u0131n. Galerisi yok. \u201cKe\u015fanl\u0131 Ali Destan\u0131\u201dn\u0131 izleyece\u011fim bir tiyatrosu yok. B\u00f6yle yerler olsa diyelim, buras\u0131 bizim Ada\u2019m\u0131z olur mu? Hay\u0131r. Olsa olsa kent olur. \u015eehir olmaz. Kent, yerdir \u00e7\u00fcnk\u00fc. Oysa \u015fehir, mek\u00e2nd\u0131r. \u201cKevn\u201dden gelir mek\u00e2n. \u201cVar olma\u201ddan, \u201cv\u00fccut bulma\u201ddan yani.<\/p>\n

Sanata da ilgi artt\u0131 depremden sonra. Bu da yeni bir olgu; sanat evleri a\u00e7\u0131l\u0131yor her yerde, sergiler ilgi g\u00f6r\u00fcyor; sinema salonlar\u0131n\u0131n say\u0131s\u0131 artt\u0131, tiyatro salonu a\u00e7\u0131lacak diye seviniyoruz…\u00a0 Sanat\u0131n ya\u015fama tutunma \u00e7abalar\u0131na katk\u0131s\u0131 nedir sizce? <\/strong><\/p>\n

Sanat evlerinin a\u00e7\u0131lmas\u0131, sinemalar\u0131n \u00e7o\u011falmas\u0131 beni de sevindirir. Hele tiyatro. Ama u\u011fra\u015fla sanat\u0131 birbirine kar\u0131\u015ft\u0131rmamak laz\u0131m. Bir sanat eviyle end\u00fcstri meslek lisesinin marangoz at\u00f6lyesi aras\u0131nda fark yoktur. \u0130kisi de i\u015fliktir. Bir i\u015fli\u011fin ad\u0131 sanat ad\u0131n\u0131 ta\u015f\u0131yor diye orada yap\u0131lan sanat olmaz. Ama resmi hobi olarak se\u00e7mek de g\u00fczeldir, keyiflidir. Nas\u0131l ki film veya tiyatro seyretmek de \u00f6yledir. \u0130nsan\u0131 al\u0131r g\u00f6t\u00fcr\u00fcr: \u00c2lemler boyar, ba\u015fka \u00e2lemlere kat\u0131l\u0131r, ba\u015fka \u00e2lemlerden nasiplenirsiniz.<\/p>\n

\u201cSardunya g\u00f6rg\u00fcs\u00fc ile g\u00f6rg\u00fclenmi\u015f bir bah\u00e7e\u201d; ne kadar g\u00fczel bir deyi\u015f! Bir kad\u0131n \u015fark\u0131c\u0131n\u0131n g\u00f6r\u00fcn\u00fc\u015f\u00fcndeki sadeli\u011fe, a\u011f\u0131rba\u015fl\u0131l\u0131\u011fa duydu\u011funuz sayg\u0131n\u0131n ifadesi… Bu sadece bir \u00f6rnek kitaplar\u0131n\u0131zda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz anlat\u0131m zenginli\u011fine. Gen\u00e7ler T\u00fcrk\u00e7eyi do\u011fru ve g\u00fczel kullanmaya \u00f6zendirilmiyor; tersine bir \u00e7aba var sanki… Bu durum edebiyat\u0131m\u0131z\u0131n gelece\u011fini etkiler mi? Ge\u00e7ici oldu\u011funu umabilir miyiz?<\/strong><\/p>\n

Ters bir \u015fey var. Ama gen\u00e7lerin birilerince terse y\u00f6nlendirildi\u011fini ve bunun da \u00f6zellikle dilde yap\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yleyemem. O birileri, kar\u015f\u0131m\u0131za hayatlar\u0131yla \u00e7\u0131k\u0131yorlar. Hayatlar\u0131 ger\u00e7ek midir sahte midir, bilemem. Belki ithaldir. Ama duru\u015flar\u0131, tav\u0131rlar\u0131, ili\u015fkileri, giyimleri ne ise dilleri de o. Bir uyumsuzluk yok. E\u011fer \u015fik\u00e2yet edeceksek dilden de\u011fil, o dili me\u015frula\u015ft\u0131ran hayattan \u015fik\u00e2yet\u00e7i olmal\u0131y\u0131z. Sadece edebiyat\u00e7\u0131 de\u011fil, hepimiz. Zira her birimiz o malum hayat\u0131n i\u00e7inde de\u011filsek de k\u0131y\u0131s\u0131nday\u0131z veya seyircisiyiz. Ama o \u00f6l\u00e7\u00fcde de etkileniyoruz. Hayatlar\u0131ndan etkileniyoruz, dillerinden etkileniyoruz. Etkilenmek k\u00f6t\u00fc de\u011fil. Yeter ki T\u00fcrk\u00e7enin sesini bozmadan olsun bu. Ya da T\u00fcrk\u00e7eye yeni ve g\u00fczel bir ses kats\u0131n. Unutmayal\u0131m, ba\u015flang\u0131\u00e7ta yanl\u0131\u015f ve olmaz san\u0131lan pek \u00e7ok s\u00f6zc\u00fck ve ifade dilimizin bug\u00fcn zenginli\u011fidir.<\/p>\n

Te\u015fekk\u00fcr ederim. <\/strong><\/p>\n

S\u00f6z\u00fc m\u00fc olur! Adapazar\u0131\u2019ndan, ge\u00e7mi\u015ften konu\u015ftuk. Bana da de\u011fi\u015fiklik oldu.<\/p>\n

SAG\u00dcSAD’\u0131n GREN Dergisi’nde yay\u0131mlanm\u0131\u015ft\u0131r. (Say\u0131: 14 May\u0131s-Haziran 2004)<\/strong><\/p>\n

\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

NECAT\u0130 MERT 1945, Adapazar\u0131 do\u011fumlu. \u00d6\u011frenimini A\u00dc DTCF T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc\u2019nde tamamlad\u0131 (1968). Adapazar\u0131\u2019nda iki ayr\u0131 d\u00f6nemde toplam yedi y\u0131l edebiyat \u00f6\u011fretmenli\u011fi yapt\u0131. 12 Mart d\u00f6nemine rastlayan ilk \u00f6\u011fretmenli\u011fi d\u00f6neminde TCK 142. ve 312. maddelerine ayk\u0131r\u0131 davranmak sav\u0131yla yarg\u0131land\u0131, bir s\u00fcre tutuklu kald\u0131. 1973\u2019te kitap k\u0131rtasiye ticaretine ba\u015flad\u0131, yan\u0131 s\u0131ra on y\u0131l (1993-2003) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[463,465],"tags":[1119,921,1120,1118,1123,488,1122,743,1121],"_links":{"self":[{"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/posts\/566"}],"collection":[{"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=566"}],"version-history":[{"count":3,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/posts\/566\/revisions"}],"predecessor-version":[{"id":5438,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=\/wp\/v2\/posts\/566\/revisions\/5438"}],"wp:attachment":[{"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tamayacikel.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}